Preview & Edit with the Directors & Cinematographers Creative Intent
We provide shot by shot full grade proxies from every day of filming, complete with secondaries & texture like grain. This allows everyone downstream to view the rushes with the Cinematographer’s and Director’s intent, from the earliest rough cuts trough the final approved color grade.
The edit is never finished for whatever reason. Another pass by the director, feedback from a focus group, suggestions from the editor: it’s inevitable. We easily conform to the new version and keep all the color work.
Another editorial version? Just send us a new XML.
For every project we use our internally developed workflow. In this way we are able to provide editorial with as much time as possible to do the best possible cut.
Supervising Depth Grading
Matching both eyes in color ・ Geometry & Exposure ・ Stereo Sweetening
We love working together with Directors & Cinematographers in an early stage of the production, designing the soul of an unique color palette.
Which workflow is the way to go?
Discover in this newsletter our way of remote collaboration.